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Xiaohan Peng

Total Citations
81
h-index
3
Papers
2

Publications

#1 2603.07184v1 Mar 07, 2026

From State Changes to Creative Decisions: Documenting and Interpreting Traces Across Creative Domains

Analyzing creative activity traces requires capturing activity at appropriate granularity and interpreting it in ways that reflect the structure of creative practice. However, existing approaches record state changes without preserving the intent or relationships that define higher-level creative moves. This decoupling manifests differently across domains: GenAI tools lose non-linear exploration structure, visualization authoring obscures representational intent, and programmatic environments flatten interaction boundaries. We present three complementary approaches: a node-based interface for stateful GenAI artifact management, a vocabulary of visual cues as higher-level creative moves in visualization authoring, and a programming model that embeds semantic histories directly into interaction state.

Xiaohan Peng Sotiris Piliouras Carl Abou Saada Nujaim
0 Citations
#2 2603.03074v1 Mar 03, 2026

Design Generative AI for Practitioners: Exploring Interaction Approaches Aligned with Creative Practice

Design is a non-linear, reflective process in which practitioners engage with visual, semantic, and other expressive materials to explore, iterate, and refine ideas. As Generative AI (GenAI) becomes integrated into professional design practice, traditional interaction approaches focusing on prompts or whole-image manipulation can misalign AI output with designers' intent, forcing visual thinkers into verbal reasoning or post-hoc adjustments. We present three interaction approaches from DesignPrompt, FusAIn, and DesignTrace that distribute control across intent, input, and process, enabling designers to guide AI alignment at different stages of interaction. We further argue that alignment is a dynamic negotiation, with AI adopting proactive or reactive roles according to designers' instrumental and inspirational needs and the creative stage.

Wendy E. Mackay Janin Koch Xiaohan Peng
0 Citations