Nong Sang
Publications
Clarity Contrast and Similarity Selection for Multi-Focus Image Fusion
Multi-focus image fusion (MFIF) aims to generate an all-in-focus image from multiple images of the same scene focused at different regions. Most existing deep learning-based methods lack explicit interaction between the source images, which limits their performance and interpretability. This paper presents a novel Clarity Contrast and Similarity Selection Network (CSNet), to bridge direct information exchange for MFIF. Specifically, by contrasting the clarity differences between source images within our proposed Clarity Contrast Attention Module (CCAM), we mutually enhance sharp features while suppressing blurry ones. This allows us to identify the exactly focused regions in each source and locate the focused-defocused boundaries. Moreover, the Defocus Spread Effect (DSE) degrades pixels in all source images around the boundaries. To further refine these ambiguous areas, we introduce a Similarity Selection Strategy, which reconstructs an initial clear image from source images and selects optimal pixels by comparing the similarity among them. Through this interactive approach, CSNet effectively preserves focused regions as well as recovering natural boundaries to fuse an all-in-focus output. Extensive experiments demonstrate that our method achieves state-of-the-art performance both quantitatively and qualitatively. Our code is available on Github: https://github.com/ZYC-HUST/CSNet.
FilmWorld: Agentic Novel-to-Film Generation through Dynamic Cinematic World Modeling
Translating novels into films poses a grand challenge for generative artificial intelligence, requiring conversion of abstract literary prose into long-form, multi-scene visual narratives. While current video generation models excel at short, single-scene clips within narrow temporal and spatial contexts, novel-to-film generation operates in a more complex regime, demanding long-duration content across diverse scenes with dynamically evolving entity states. To address this, we formalize novel-to-film generation as dynamic cinematic world modeling, decomposed into two phases: construction, which grounds abstract, underspecified literary narratives into concrete, stateful, and persistent world entities; and evolution, which governs how these entities dynamically update under plot progression to maintain causal consistency across scenes. We propose FilmWorld, an end-to-end agentic system where two groups of specialized agents collaborate to instantiate these phases. Construction-side agents perform narrative structured translation, world entity state modeling with visual anchoring, and state-driven shot planning, progressively projecting literary language into a cinematic blueprint. Evolution-side agents perform state-anchored visual generation, cross-shot dynamic state propagation, and closed-loop state verification to maintain causal consistency and visual coherence. To address the evaluation gap in long-form generation, we introduce FilmEval, a systematic evaluation framework that couples a difficulty-graded benchmark of 15 representative novels with an automated protocol of nine objective metrics spanning three dimensions: cinematic presentation, film consistency, and novel fidelity. Experiments demonstrate that FilmWorld consistently outperforms state-of-the-art video generation agent systems, with particularly pronounced improvements in narrative fidelity and cross-scene consistency.