Mark D. Plumbley
Publications
Explainable AI in Speaker Recognition -- Making Latent Representations Understandable
Neural networks can be trained to learn task-relevant representations from data. Understanding how these networks make decisions falls within the Explainable AI (XAI) domain. This paper proposes to study an XAI topic: uncovering unknown organisational patterns in network representations, particularly those representations learned by the speaker recognition network that recognises the speaker identity of utterances. Past studies employed algorithms (e.g. t-distributed Stochastic Neighbour Embedding and K-means) to analyse and visualise how network representations form independent clusters, indicating the presence of flat clustering phenomena within the space defined by these representations. In contrast, this work applies two algorithms -- Single-Linkage Clustering (SLINK) and Hierarchical Density-Based Spatial Clustering of Applications with Noise (HDBSCAN) -- to analyse how representations form clusters with hierarchical relationships rather than being independent, thereby demonstrating the existence of hierarchical clustering phenomena within the network representation space. To semantically understand the above hierarchical clustering phenomena, a new algorithm, termed Hierarchical Cluster-Class Matching (HCCM), is designed to perform one-to-one matching between predefined semantic classes and hierarchical representation clusters (i.e. those produced by SLINK or HDBSCAN). Some hierarchical clusters are successfully matched to individual semantic classes (e.g. male, UK), while others to conjunctions of semantic classes (e.g. male and UK, female and Ireland). A new metric, Liebig's score, is proposed to quantify the performance of each matching behaviour, allowing us to diagnose the factor that most strongly limits matching performance.
Summary of The Inaugural Music Source Restoration Challenge
Music Source Restoration (MSR) aims to recover original, unprocessed instrument stems from professionally mixed and degraded audio, requiring the reversal of both production effects and real-world degradations. We present the inaugural MSR Challenge, which features objective evaluation on studio-produced mixtures using Multi-Mel-SNR, Zimtohrli, and FAD-CLAP, alongside subjective evaluation on real-world degraded recordings. Five teams participated in the challenge. The winning system achieved 4.46 dB Multi-Mel-SNR and 3.47 MOS-Overall, corresponding to relative improvements of 91% and 18% over the second-place system, respectively. Per-stem analysis reveals substantial variation in restoration difficulty across instruments, with bass averaging 4.59 dB across all teams, while percussion averages only 0.29 dB. The dataset, evaluation protocols, and baselines are available at https://msrchallenge.com/.