S. Karande
Publications
ArtMine: Discovering and Formalizing Artistic Processes
Understanding how artworks are created requires reasoning about the iterative decisions, material operations, and contextual influences that shape artistic production. While recent generative AI systems can synthesize artworks with high fidelity, they primarily model distributions over finished artifacts rather than the creative processes underlying their creation. In practice, artistic workflows are only partially documented through fragmented sources such as archival records, preparatory studies, correspondence, etc., making process-level understanding difficult to formalize computationally. In this work, we introduce ArtMine, a framework for discovering and formalizing artistic processes from heterogeneous historical evidence. Our approach synthesizes heterogeneous artwork evidence into a structured repository, from which a Peircean abductive agent infers evidence-grounded production steps. These steps are converted into a compositional graph and rendering prompt, then optimized through self-reflection over deviations between the generated and reference artworks. We provide a preliminary proof-of-concept case study using open-domain historical sources across multiple artists and artistic movements, demonstrating that fragmented documentary evidence can support coherent, interpretable, and auditable representations of artistic workflows. By modeling creative processes rather than only final artifacts, our work moves toward process-centred human-AI co-creativity systems that can support artistic interpretation, creative education, reflective collaboration, and computational studies of cultural production.
Forgetting is Competition: Rethinking Unlearning as Representation Interference in Diffusion Models
Unlearning in text-to-image diffusion models often leads to uneven concept removal and unintended forgetting of unrelated capabilities. This complicates tasks such as copyright compliance, protected data mitigation, artist opt-outs, and policy-driven content updates. As models grow larger and adopt more diverse architectures, achieving precise and selective unlearning while preserving generative quality becomes increasingly challenging. We introduce SurgUn (pronounced as Surgeon), a surgical unlearning method that applies targeted weight-space updates to remove specific visual concepts in text-conditioned diffusion models. Our approach is motivated by retroactive interference theory, which holds that newly acquired memories can overwrite, suppress, or impede access to prior ones by competing for shared representational pathways. We adapt this principle to diffusion models by inducing retroactive concept interference, enabling focused destabilization of only the target concept while preserving unrelated capabilities through a novel training paradigm. SurgUn achieves high-precision unlearning across diverse settings. It performs strongly on compact U-Net based models such as Stable Diffusion v1.5, scales effectively to the larger U-Net architecture SDXL, and extends to SANA, representing an underexplored Diffusion Transformer based architecture for unlearning.