Xiaokang Yang
Publications
Stabilizing Diffusion Posterior Sampling by Noise--Frequency Continuation
Diffusion posterior sampling solves inverse problems by combining a pretrained diffusion prior with measurement-consistency guidance, but it often fails to recover fine details because measurement terms are applied in a manner that is weakly coupled to the diffusion noise level. At high noise, data-consistency gradients computed from inaccurate estimates can be geometrically incongruent with the posterior geometry, inducing early-step drift, spurious high-frequency artifacts, plus sensitivity to schedules and ill-conditioned operators. To address these concerns, we propose a noise--frequency Continuation framework that constructs a continuous family of intermediate posteriors whose likelihood enforces measurement consistency only within a noise-dependent frequency band. This principle is instantiated with a stabilized posterior sampler that combines a diffusion predictor, band-limited likelihood guidance, and a multi-resolution consistency strategy that aggressively commits reliable coarse corrections while conservatively adopting high-frequency details only when they become identifiable. Across super-resolution, inpainting, and deblurring, our method achieves state-of-the-art performance and improves motion deblurring PSNR by up to 5 dB over strong baselines.
SingingBot: An Avatar-Driven System for Robotic Face Singing Performance
Equipping robotic faces with singing capabilities is crucial for empathetic Human-Robot Interaction. However, existing robotic face driving research primarily focuses on conversations or mimicking static expressions, struggling to meet the high demands for continuous emotional expression and coherence in singing. To address this, we propose a novel avatar-driven framework for appealing robotic singing. We first leverage portrait video generation models embedded with extensive human priors to synthesize vivid singing avatars, providing reliable expression and emotion guidance. Subsequently, these facial features are transferred to the robot via semantic-oriented mapping functions that span a wide expression space. Furthermore, to quantitatively evaluate the emotional richness of robotic singing, we propose the Emotion Dynamic Range metric to measure the emotional breadth within the Valence-Arousal space, revealing that a broad emotional spectrum is crucial for appealing performances. Comprehensive experiments prove that our method achieves rich emotional expressions while maintaining lip-audio synchronization, significantly outperforming existing approaches.